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U.D.O - Dominator (2009)

Udo Dirkschneider, has seen its greatest moments in the history of heavy metal with their fellow Accept. His unique vocal with these shades torn, was one of the brands with which the German group established his career as billing timeless albums Restless And Wild (82), his masterpiece Balls To The Wall ( 83) and Metal Heart (85), a trilogy essential in all heavy club pro.

Since he decided to jump from a boat that was water everywhere to lose freshness and too close to the melodic sounds, Udo has remained true to some parameters where there is little room for innovation.

With varying degrees of success, from the initial Animal House (87) and Mean Machine (88), until the last Mission N º X (2005) and Mastercutor (2007), vocalist Germany has remained undaunted by the new currents of metal.

Stubborn he brings 22 years of his solo career betting on the typical heavy metal ochentenas references, to the cheers of his staunch supporters and detractors nuisance. The truth is that the tough Udo still releasing albums left worthy testimony to his persistence and charisma. Ratified again with the release of Dominator, where their schemes remain unchanged.

Obviously, Accept connections are unquestionable, as has been demonstrated in all his solo albums. If we add that today his former band colleague, Stefan Kaufmann , besides playing the guitar has been in charge of production, mixing and mastering, understand better closer to sounds on recognition.

Whereas UDO past its present condition, it is fair to note that Dominator has interesting things. Although entry to the guitar riffs sound a bit decadent, once the momentary mental regression to mellow sounds, it is accepted that, while not new, yet are attractive and have that hook that has survived to the formation to the present. In this, the most representative moments are found in, "The Boeyman" , simple and marked rhythm like "Dominator" , appellant also an interesting dynamic, alone, or the first single, "Black And White" , with its catchy chorus. Not forgetting "Heavy Metal Heaven" .

compositions are also showing a less aggressive Udo as "Stillnes Of Time" , where the low effectiveness integers. By contrast, faster side stand "Infected" and "Speed \u200b\u200bDemon" , themes where the energy in the album reaches its peak.

Moreover, for those who criticize Mr. Dirkschneider immobility, we recommend the fun entitled "Devil's Rendezvous" , close focus to popular music.

In summary, a new release that should not surprise anyone, with appealing moments, especially when combined with creativity to mix guitar riffs with developments characteristic solo seductive presence.

Año:1987
Origen:Alemania
Estilo:Heavy Metal

Fitty Wienhold Bass
Francesco Jovino Drums
Igor Gianola Guitars
Stefan Kaufmann Guitars
Udo Dirkschneider Vocals

Tracklist:
1.The Bogeyman
2.Dominator
3.Black And White
4.Infected
5.Heavy Metal Heaven
6.Doom Ride
7.Stillness Of Time
8.Devil 's Rendezvous

9.Bleeding Heart In The Darkroom 10.Pleasure
11.Speed \u200b\u200b
12.Whispers Demon In The Dark

RATING : FUCKING AWESOME (4)

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Destruction - Day Of Reckoning (2011)

DESTRUCTION have seen years of this to know what kind of hard to do, what disc type is supposed to do and especially how to do. And It is seldom that the trio could say Germany has ever taken a bad job. However, many of those records, viewed in perspective, maybe they were not that bad. In fact, they lie to that except "The Antichrist" I relocated some of the recent disc combo Teutonic beyond the relevant times necessary to make a review. But the case that having heard this "Day of Reckoning" and several times, I have this feeling sure that together with the aforementioned "The Antichrist", this new album of Destruction is by far the best I have published in its second phase as group. And it is best, at least it is as close to his records of the 80 that have ever been.

Thus, the current DESTRUCTION have a new battery in their ranks have been able to capture the best of the essence of the past, especially of his time on more technical and polished "Release from Agony" and "Cracked Brain" - and mix it with the wisdom of composition that can be seen in his later works, resulting in a perfect album, fucking great, it has absolutely everything from Old School genuine touch of his old albums to the technicalities of that time through "accessibility" of their latest works. At this point imagine it must be complicated, but once there, could be said to have closed a circle and you've reunited with yourself. Either way, the margin of maneuver in which DESTRUCTION move has always been so brief that probably shortened and, in the eyes (ears) of a non-DESTRUCTION started living in 2010 are identical to those of 2005 or 1985.

Topics in this "Day of Reckoning", more than ever, have a hook on the wafer, are catchy, fast, with the right hint of melody and is full of nods to the past. For the first time I think we are facing a Destruction album which highlights the work of the 3 members alike. In the past there was always someone who got bigger role or was more in the background, but in this "Day of Reckoning" that does not happen and both Schmier's voice (even the low!), the guitars of Mike or battery newcomer Vaaver yield the highest level and are has taken all the juice possible. Schmier sings as ever and even ventures some cleans dubbed voice (more akin to that of DESTRUCTION HEADHUNTER) and a guttural scream while Vaaver battery has infinitely more details and arrangements that have never been seen in an album by German band. And what about the little Mike, "Ehh? Here are some of his most inspired riffs and of course, those riffs rockers house brand.

In short, a pure and hard disk thrash metal classic, without moderneces of any kind but musically impeccable, made by metalheads for metalheads and with all that that implies. I firmly believe that in 2010 DESTRUCTION DESTRUCTION are more than ever.

Year: 1982
Origin: Germany
Style: Thrash Metal Mike

Sifringer Guitars Drums
Vaaver

Schmier Bass
1. The Price [3:41]
2. Hate Is My Fuel [04:26]
3. Armageddonizer [04:09]
4. Devil's Advocate [04:18]
5. Day Of Reckoning [03:58]
6. Sorcerer Of Black Magic [04:25]
7. Misfit [04:27]
8. The Demon Is God [05:11]
9. Church Of Disfust [04:06]
10. Destroyer Or Creator [03:09]
11. Sheep Of The Regime [04:59]

CALIFICACION: FUCKING AWESOME (5)

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A BREAK FROM THE USUAL

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Call 2011 Animateur

AMERICAN ANIMATION FESTIVAL AMATEUR

2011 Animateur

1. The Amateur Latin American Festival of Animation - Animateur is organized by the Fundación Simón I. Demiurge Patiño and CEA, has the support of the Community Animators Bolivia, and Chile Consulate in Bolivia. will take place between 21 and 28 October 2011 , in the context of celebrations of International Day of Animation ", La Paz Bolivia.

Festival Participation tod @ sl @ s @ s interested in Latin American and Latino residents in other countries, mainly students, who did not play professionally in the field of animation.

2. The theme of the contest is open to all genres (except commercials), and ways and methods of expression achieved with animation of any kind. The duration of the works must not exceed 30 minutes including the end credits.

The Organization is not responsible for the use of images and music on which there are restrictions on Copyright or Intellectual Property.

There is no limit to the number of works that each director or producer can send, but must complete the following requirements for each:

• Registration via e-mail sent to the Festival expressing Animateur interest in taking part of it, permission to use the artwork sent for exhibition and promotion, and transfer of the copy for your records in the video library Festival. Attach
• Registration Form for each work.
• Two color photos or black and white, JPEG, RGB color mode at a resolution of 300 dpi for each work.

No registration fee. You can participate any animated short made by Latin American since 2008 .

3. competitive categories Animateur are

• Animations arguments. Works with high-profile narrative.
• Experimental Animation. Works with high profile experimental or abstract.
• Animated Clips. Music Videos at least 50% of animation.

competitive parallel to the sample, there will be a non-competitive, where you can join any animated production that does not meet participation requirements. They may also participate in this exhibition all the works that have not been selected.

4. The formation of the competitive and noncompetitive will be unique competence of the Festival.

According to the number of entries, and its particular characteristics, may determine the creation of other categories, or remove any of the above categories. All decisions are taken within the Festival are final.

After the selection, the authors, directors or producers can not ask to withdraw the short film of the Competition .

5. The Jury shall consist Animateur animator abroad, of wide experience, exclusively invited to celebrate the International Day and Animation Festival and four renowned national and foreign personalities who live in Bolivia.

The Jury will be responsible for granting awards mentioned below, and its decisions thereon shall be final :

• Grand Jury Prize: Awarded to the best film among all selected in competition.
• Best Animated story
• Best Experimental Animation
• Best Animated Videoclip

addition to these awards, the jury may award Special Mentions to shorts with outstanding technical or aesthetic.

• Audience Award: The public attending the Festival will vote among all the works in competition, and will be entitled to award the work that the largest percentage of votes.

6. The exhibition of the works selected for the Official Show will take place on 21, 22, 25 and 26 October 2011 . The main venue will be the city of La Paz.

the competitive and noncompetitive projections will be carried on traveling to the cities of Cochabamba and Santa Cruz in November and December 2011.

7. The award ceremony and exhibition of the winning entries will be held in celebration of International Day Animation on October 28, 2011.

8. Whatever format embodiment, for selection and exhibition of work must be submitted on DVD (Region 4 or Region Free). The materials must comply with technical standards that ensure its reproduction and projection screen.

The DVD must be in its case, labeled with the following information: Title, length, name and surname of the director and / or producer, e-mail and telephone.

one job must be sent by DVD. The jobs that are not in English, should include subtitles (srt or. Sub). .

The cost of sending copies borne by the participants, as well as any tax, levy, customs charges, etc., Arising from the shipment. The Festival WILL NOT PAY IN ANY CASE COST caused by sending the copies.

The material sent (DVD, boxes, cds, illustrative material and stationery) will become the property of the Festival Archives. This will have wide powers of disposal of such material, including the public display or private, by himself or by others, but only with free and educational and cultural purposes. The international spread will be discussed with the author each work.

Any director and / or producer who demands the return of the material, it must justify its decision by letter to the Festival, and bear the costs of returning the same turn that the Festival will accept any decision with respect to distinctions the work is received.

9. Registration for participation in the festival will receive via e-mail to September 2, 2011 in contacto@festivalanimateur.com

Papers must be submitted until 21:00 . (Time local) on Friday September 30, 2011 , in person or by mail to the following address:

Space Simon I. Patiño

center Comics / C + C

Space Bldg

Guayaquil (Ground Floor)

Ecuador # 2503 esq Av. Belisario Salinas - Sopocachi

Box: 3289

Tel: (591 - 2) 2415597 Int

223 E-mail: centrocomics@fundacionpatino.org

La Paz - Bolivia

10. The Organization of the Festival resolved without appeal, on any matter not covered by this regulation or its interpretation.

Participant's Latin American Festival of Animation - Animateur , fully accepts these rules at the time of registration.

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order not to lose the habit soon

light of the "angry" claim of some colleagues by neglect that keep this blog, and not lose the habit, here are some links of some short Birdbox Studio that seemed friendly and "desestrezantes"




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Chilemonos in Bolivia

As we explain our fellow Chileans, beyond telling them "monkeys" to cartoons, and Chilemonos is an activity that is carried by different countries in the world Chilean better animation.
This activity includes audiovisual displays, exhibitions, workshops, forums and more., In order to create networks and friendships. Soon
also be in La Paz - Bolivia, to share with us all. So far as here is a video preview of the presence of Chilemonos in 2011 ANIMA Festival in Brussels-Belgium.

And for those who want to know more, this is the link Chilemonos : http://www.spondylus.cl/chilemonos/
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Animation Workshop Call for

Simon I. The Space Patiño, through the center Comic (C + C) and in coordination with the Demiurge , inviting interested parties to run for Stop Motion Animation Workshop .
Receiving applications runs through Friday, 4 March in the office of the Comic Strip Center (Ed. floor Guayaquil, Ecuador esq. Belisario Salinas - Sopocachi).
The workshop will be led by Ivan Castro with the support of other professionals involved the animation and visual.
The workshop will cover the entire process for the realization of animated shorts in the art of stop motion: from concept, design, production breakdown, budgeting, planning, filming, through post-production. Aiming at the realization of animated shorts from participants. General



Workshop Duration: 14 weeks
Hours: Monday to Friday from 18:00 to 20:00
No. of Places: 14
Cost: No (Participants will be selected after interview)
Home:
March 14 Location: Space Simon I. Patiño - La Paz

For more information contact centrocomics@fundacionpatino.org or demiurgo@mail.org



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